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A look on Milan
Milan live at the shade of the Cathedral. Its name is Maria Nascente. Builded in marble, on the structure of the previous Basilica of Saint Greater Maria. From the 1386, traditional date of beginning, the Factory of the Cathedral, from centuries, continues the jobs. Under the guide of numerous general engineers, followings one the others in the time, the various conceptions of the architectonic structure make a moving stone show. In 1774, on the higher peak it comes raised the statue of the Madonnina. The image that is perceived of the Cathedral corresponds to the idea of the gothic between the five hundred and the second parts of the eight hundred.
The look turned towards the sky, is impregnated of the image of the spire of the Cathedral, overhung, on the higher, from the golden statue of the Madonnina, dipped in a cloud bath white women in their fast race in the blue of the sky. Printed from the eyes in the heart, the thought to living She, accompanies in every place: in the alleys of the old one city like in the new, rich or poor quarters, in a way still more intimate in the foggy days in which every image vanish and the beautiful one lives in the deep gathering of the spirit.
The Cathedral, in its long one and elaborated constructive evolution saw the collaboration, towards the end of the 1300's, of the German masters, from bohemia, France, Tuscany and venetian. From the second half of the 1400's the sculptural decoration of the Cathedral concentrates the art of masters milanesi and it constitutes a gigantic exposure. Contradictions between image and structural equilibrium, visible discontinuities of quality, it withdraws adopted and conceptual change that mark progressing of the Factory it makes insignificant the concept of authenticity of a gothic building, but in new gothic tight sense and it gives meaning to the continuous and evident substitutions of materials, from the vestment to the statues, replaced with copies until the rhythm of four or five substitutions anniversaries, that they make of the Cathedral, more that a monument to conserve, a yard of perennial reconstruction.
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